Barcelo, Miguel
MIGUEL BARCELO Fifteen Holes (No Text), 1987
$75.00
Sku: YY3004
Artist: Miguel Barcelo
Title: Fifteen Holes (No Text)
Year: 1987
Signed: No
Medium: Offset Lithograph
Paper Size: 21 x 25.25 inches ( 53 x 64 cm )
Image Size: 18.5 x 22.75 inches ( 47 x 58 cm )
Edition Size: Unknown
Framed: No
Condition: A: Mint
Additional Details: This first-edition exhibition poster was created for 15 Holes, a show by Spanish artist Miguel Barceló at Leo Castelli Gallery. Designed by Smatt Florence Inc. with photography by Dorothy Zeidman, the poster reflects Barceló’s deep engagement with materiality, process, and the interplay of surface and depth in his paintings. The title 15 Holes suggests themes of erosion, absence, and transformation—recurring elements in Barceló’s work, where textures appear organic, almost geological. Barceló often manipulates his surfaces by puncturing, layering, or distressing them, evoking natural decay, cave formations, or the wear of time. His work is deeply influenced by his travels, particularly in Mali, where he explored themes of arid landscapes, emptiness, and physical traces left by nature and human intervention.
Artist: Miguel Barcelo
Title: Fifteen Holes (No Text)
Year: 1987
Signed: No
Medium: Offset Lithograph
Paper Size: 21 x 25.25 inches ( 53 x 64 cm )
Image Size: 18.5 x 22.75 inches ( 47 x 58 cm )
Edition Size: Unknown
Framed: No
Condition: A: Mint
Additional Details: This first-edition exhibition poster was created for 15 Holes, a show by Spanish artist Miguel Barceló at Leo Castelli Gallery. Designed by Smatt Florence Inc. with photography by Dorothy Zeidman, the poster reflects Barceló’s deep engagement with materiality, process, and the interplay of surface and depth in his paintings. The title 15 Holes suggests themes of erosion, absence, and transformation—recurring elements in Barceló’s work, where textures appear organic, almost geological. Barceló often manipulates his surfaces by puncturing, layering, or distressing them, evoking natural decay, cave formations, or the wear of time. His work is deeply influenced by his travels, particularly in Mali, where he explored themes of arid landscapes, emptiness, and physical traces left by nature and human intervention.
