Picasso, Pablo
PABLO PICASSO Cote D'Azur, 1962
$2,500.00
Sku: CB8273
Artist: Pablo Picasso
Title: Cote D'Azur
Year: 1962
Signed: No
Medium: Lithograph
Paper Size: 39.25 x 26 inches ( 99.695 x 66.04 cm )
Image Size: 30.5 x 25 inches ( 77.47 x 63.5 cm )
Edition Size: 15000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Supplemental Condition Information: Normal signs of age and handing with a small amount of speckling and a light dent in the lower section.
Additional Details: Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, this vibrant lithograph employs fourteen colors, showcasing Picasso's dynamic use of color and form. The print was published by the Ministry of Transport and Public Works in France and produced by the renowned Imprimerie Mourlot in Paris. It is referenced in Czwiklitzer’s catalogue raisonné as #177, in Rodrigo, Vol. I, #118 on page 26, and in Zervos, Tome XVII, #400, marking its significance in Picasso's body of work and its place in the art historical context.
Artist: Pablo Picasso
Title: Cote D'Azur
Year: 1962
Signed: No
Medium: Lithograph
Paper Size: 39.25 x 26 inches ( 99.695 x 66.04 cm )
Image Size: 30.5 x 25 inches ( 77.47 x 63.5 cm )
Edition Size: 15000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Supplemental Condition Information: Normal signs of age and handing with a small amount of speckling and a light dent in the lower section.
Additional Details: Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, this vibrant lithograph employs fourteen colors, showcasing Picasso's dynamic use of color and form. The print was published by the Ministry of Transport and Public Works in France and produced by the renowned Imprimerie Mourlot in Paris. It is referenced in Czwiklitzer’s catalogue raisonné as #177, in Rodrigo, Vol. I, #118 on page 26, and in Zervos, Tome XVII, #400, marking its significance in Picasso's body of work and its place in the art historical context.
