Magritte, Rene
RENE MAGRITTE Les Mots et les Images (Mini), 2012
$20.00
Sku: AW9125
Artist: Rene Magritte
Title: Les Mots et les Images (Mini)
Year: 2012
Signed: No
Medium: Offset Lithograph
Paper Size: 8.25 x 11.75 inches ( 21 x 30 cm )
Image Size: 8.25 x 11.75 inches ( 20.955 x 29.845 cm )
Edition Size: open
Framed: No
Condition: A: Mint
Additional Details: This reproduction of Les Mots et les Images (The Words and the Images) by René Magritte, originally created in 1929, exemplifies the artist's exploration of language, perception, and representation. The piece serves as a visual essay, pairing words and images in a way that challenges the viewer’s assumptions about how they relate to each other. Magritte questions the limits of language and the reliability of visual interpretation, illustrating his central Surrealist theme: that reality and its depiction are not always aligned. By presenting objects alongside seemingly unrelated captions, he forces us to rethink the connection between what we see, read, and understand. This work remains a profound meditation on the nature of meaning and the complexities of communication.
Artist: Rene Magritte
Title: Les Mots et les Images (Mini)
Year: 2012
Signed: No
Medium: Offset Lithograph
Paper Size: 8.25 x 11.75 inches ( 21 x 30 cm )
Image Size: 8.25 x 11.75 inches ( 20.955 x 29.845 cm )
Edition Size: open
Framed: No
Condition: A: Mint
Additional Details: This reproduction of Les Mots et les Images (The Words and the Images) by René Magritte, originally created in 1929, exemplifies the artist's exploration of language, perception, and representation. The piece serves as a visual essay, pairing words and images in a way that challenges the viewer’s assumptions about how they relate to each other. Magritte questions the limits of language and the reliability of visual interpretation, illustrating his central Surrealist theme: that reality and its depiction are not always aligned. By presenting objects alongside seemingly unrelated captions, he forces us to rethink the connection between what we see, read, and understand. This work remains a profound meditation on the nature of meaning and the complexities of communication.
